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AgotadoShort, square-cut jacket with a high neck, handcrafted in the Rajasthan desert from an extraordinary collection of antique fabrics. Only fragments of vintage and antique textiles, assembled by hand with visible stitches, have been used in its construction, along with pieces of traditional embroidery, antique zari and zardozi metallic threads, shisha mirrors, beads, sequins, rhinestones, and silk embroidery from various parts of the Indian desert. Each fragment retains its own irregularities, patinas, and small traces of time. Far from being considered defects, they are part of the history and character of these textiles, making each jacket absolutely unique. The garment is fully lined inside in a matching tone with cotton fabric, giving it structure and a soft, refined finish. A piece of immense beauty. A treasure of upcycling and Indian mastery in creating unique designs from pre-existing fabrics, making them completely sustainable.
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Agotado
Short, square-cut jacket with a high neck, handcrafted in the Rajasthan desert from an extraordinary collection of antique fabrics. Only fragments of vintage and antique textiles, hand-assembled with visible stitches, have been used in its construction, along with pieces of traditional embroidery, antique zari and zardozi metallic threads, shisha mirrors, beads, sequins, rhinestones, and silk embroidery from various parts of the Indian desert.
Each fragment retains its own irregularities, patinas, and small traces of time. Far from being considered defects, they are part of the history and character of these textiles and make each jacket absolutely unique.
The garment is fully lined inside in a matching tone with cotton fabric, giving it structure and a soft, refined finish.
A piece of immense beauty. A treasure of upcycling and Indian mastery in creating unique designs from pre-existing fabrics, making them completely sustainable.
One size fits all. Due to its square cut, wide sleeves, and open front, it accommodates a variety of sizes.
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Mala chosen in India in the holy city of Rishikesh on the banks of the Ganges It is made of natural rudra beads and onyx with a very long pompom in silk threads and gold threads Approximate total length of mala 67 cm Approximate length of the pompom 20 cm
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Sale!AgotadoOpen dress made of rustic cotton printed with the traditional Block Print technique, characteristic of Rajasthan. Block Print is one of the most representative textile expressions of Rajasthan and one they are deeply proud of. It is done using carved wooden blocks and applied manually. The pieces incorporate antique embroidered yokes, ranging from traditional ones with protective mirrors to denser Mughal-style ones. The dialogue between the print and the embroidery creates a rich and complex aesthetic, where different layers of textile tradition overlap in the same garment. One Size Fits All. Unique piece.
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AgotadoOpen dress made of rustic cotton printed with the traditional Block Print technique, characteristic of Rajasthan. Block Print is one of the most representative textile expressions of Rajasthan and one they are deeply proud of. It is done using carved wooden blocks and applied manually. The pieces incorporate antique embroidered bibs ranging from traditional ones with protective mirrors to denser Mughal-style ones. The dialogue between the print and the embroidery creates a rich and complex aesthetic, where different layers of textile tradition overlap in the same garment. One Size Fits All. Unique piece.
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Sale!AgotadoOpen dress made of rustic cotton printed with the traditional Block Print technique, characteristic of Rajasthan. Block Print is one of the most representative textile expressions of Rajasthan and one they are deeply proud of. It is done using carved wooden blocks and applied manually. The pieces incorporate antique embroidered bibs ranging from traditional ones with protective mirrors to the denser Mughal-style ones. The dialogue between the print and the embroidery creates a rich and complex aesthetic, where different layers of textile tradition overlap in the same garment. One Size Fits All. Unique piece.
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Sale!AgotadoOpen dress made of rustic cotton inspired by the textile silhouettes of the nomads of western India, especially the Rabari people. The piece stands out for its antique, hand-embroidered chest panels from remote regions of Gujarat and Rajasthan, where hand embroidery is part of their cultural identity. Each panel is in itself a work of art of tight embroidery in which mirrors, beads, and tassels are sometimes incorporated, adding luminosity, texture, and character. These pieces combine different textile languages from western India: There are embroideries of a more tribal tradition, with mirrors as protective amulets to capture light, and there are other pieces with embroideries of even denser and more ornamental compositions, of Mughal influence. Each piece is unique and unrepeatable. One size fits all. Open at the front.
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Sale!AgotadoOpen dress made of rustic cotton inspired by the textile silhouettes of the nomads of Western India, especially the Rabari people. The piece stands out for its antique hand-embroidered bibs from remote regions of Gujarat and Rajasthan, where hand embroidery is part of their cultural identity. Each panel is in itself a work of art of tight embroidery in which mirrors, beads, and tassels are sometimes incorporated, adding luminosity, relief, and character. In these pieces, different textile languages of Western India coexist: There are embroideries of a more tribal tradition, with mirrors as a protective and amulet symbolism to capture light, and there are other pieces with embroideries of even denser and more ornamental compositions, of Mughal influence. Each piece is unique and unrepeatable. One size fits all. Open in the front.
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Sale!AgotadoOpen dress made of rustic cotton inspired by the textile silhouettes of the nomads of western India, especially the Rabari people. The piece stands out for its antique, hand-embroidered chest panels from remote regions of Gujarat and Rajasthan, where hand embroidery is part of their cultural identity. Each panel is in itself a work of art with tight embroidery, sometimes incorporating mirrors, beads, and tassels that add luminosity, texture, and character. These pieces combine different textile languages from western India: There are embroideries of a more tribal tradition, with mirrors as protective symbols and amulets to capture light, and there are other pieces with embroideries of even denser and more ornamental compositions, of Mughal influence. Each piece is unique and unrepeatable. One size fits all. Open at the front.
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AgotadoOpen dress made of rustic cotton inspired by the textile silhouettes of the nomads of Western India, especially the Rabari people. The piece stands out for its antique, hand-embroidered bibs from remote regions of Gujarat and Rajasthan, where hand embroidery is part of their cultural identity. Each panel is in itself a work of art of tight embroidery in which mirrors, beads, and tassels are sometimes incorporated, adding luminosity, texture, and character. In these pieces, different textile languages of Western India coexist: there are embroideries of a more tribal tradition, with mirrors as protective amulets to capture light, and there are other pieces with embroideries of even denser and more ornamental compositions, of Mughal influence. Each piece is unique and unrepeatable. One size fits all. Open at the front.
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AgotadoOpen dress made of rustic cotton inspired by the textile silhouettes of the nomads of Western India, especially the Rabari people. The piece stands out for its antique, hand-embroidered chest panels from remote regions of Gujarat and Rajasthan, where hand embroidery is part of their cultural identity. Each panel is in itself a work of art of tight embroidery in which mirrors, beads, and tassels are sometimes incorporated, adding luminosity, texture, and character. Different textile languages of Western India coexist in these pieces: There are embroideries of a more tribal tradition, with mirrors as protective symbols and amulets to capture light, and there are other pieces with embroideries of even denser and more ornamental compositions, of Mughal influence. Each piece is unique and unrepeatable. One size fits all. Open at the front.
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AgotadoOpen dress made of rustic cotton inspired by the textile silhouettes of the nomads of Western India, especially the Rabari people. The piece stands out for its antique, hand-embroidered bibs from remote regions of Gujarat and Rajasthan, where hand embroidery is part of their cultural identity. Each panel is in itself a work of art of tight embroidery in which mirrors, beads, and tassels are sometimes incorporated, adding luminosity, texture, and character. Different textile languages from Western India coexist in these pieces: There are embroideries of a more tribal tradition, with mirrors as a protective and amulet symbolism to capture light, and there are other pieces with embroideries of even denser and more ornamental compositions, of Mughal influence. Each piece is unique and unrepeatable. One size fits all. Open at the front.
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Beautiful long vintage dress from India. In sand tones. It is a piece of special richness due to the combination of fabrics, textures, and ornamental work, tone on tone. The bodice and sleeves are embroidered in relief and from the waist opens a beautiful skirt in fine fabric, completely worked. Large paisley motifs intertwine with branches and small flowers that subtly catch the light. It has great chromatic serenity but at the same time great richness and presence. It is a unique vintage piece and although it is in good condition, it may show some wear and tear appropriate to its nature.
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Beautiful long dress from India in pale rose tone. Long and fluid silhouette, side slits with overskirt effect decorated with beautiful latkan ribbons with pointed embellishments. Enriched with zardozi-inspired metallic embroidery. Small sparkles dot the entire dress. An extraordinary, luminous piece. Side zipper. Size M/L It is a unique vintage piece that is in magnificent condition but may have some minor wear consistent with the authenticity of being a vintage piece.
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AgotadoBag made entirely by hand by an indigenous community from Papua New Guinea. This community lives in the Southern Highlands, in the province of Mendi, in the village of Pangia. Their customs are deeply rooted in the land; their life is that of gatherers/hunters. They wear practically no clothes. Their worldview is very similar to that of Australian aborigines. They share much of their mysticism and mythological legends, and their attachment to nature. These bags are made completely by hand. Not only the weaving of the bag but also the spinning is totally artisanal and primitive, without the use of a spinning wheel or loom. The knots and finishes that prove their authenticity can be appreciated. It is resistant yet light. A true beauty of the genuine and handmade. The colors and geometric shapes are unique to this indigenous community. Zipper closure as the only concession to modernity. The bag is large and has capacity. Measurements: 58 long, 35 high
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Sale!AgotadoBag made entirely by hand by an indigenous community from Papua New Guinea. This community lives in the Southern Highlands, in the province of Mendi, in the village of Pangia. Their customs are deeply rooted in the land; their life is one of gatherers/hunters. They wear practically no clothes. Their worldview is very similar to that of Australian aborigines. They share much of their mysticism, their mythological legends, and their attachment to nature. These bags are made with a rope extracted from a tree called "Warpi" in their culture (they do not know its English translation). The bird feathers are woven in and belong to various wild birds collected from molting in their nests, and even from Cassowaries. It also has shed Opossum hair woven into it. For them, this bag is used to hold fruits and for gathering. When worn on the forehead and allowed to fall over the back, in smaller sizes, it is used to carry their babies while they move around or work, leaving their hands free. It is resistant yet lightweight. It does not have an inner lining. It is a net. A true beauty of the genuine and handmade.
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Long handmade Indian vintage dress in blue and turmeric It has that traditional double dress effect in India, creating a layered look. It mixes textures like silk in the central panel, cotton, borders... it mixes colors like only they know how to do in India. Different, ethnic, yet elegant. As it is a vintage piece, although in perfect condition, it may have some minor imperfections characteristic of its nature. Size XS
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AgotadoVintage dress made from different textile panels. Combines textures and colors perfectly and creates an overlay effect even though it is the same dress. Armpit to armpit 50 cm Length 129 cm
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AgotadoLong dress from India made of patchwork of different prints and textures. Slightly flared long silhouette. The dress simulates having an incorporated open coat, but it is the same piece. The colors, the kantha-style stitching, and the fabrics make it a very Indian piece, yet bohemian and contemporary. It is a unique vintage dress and as such may have some minor wear consistent with its vintage quality. Size XS/S
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AgotadoLong vintage dress from India with a silhouette inspired by traditional Anarkali. Made from raspberry-print fabric with small rhinestone applications. Exuberant and colorful, it has great visual impact. Vintage piece. May show small irregularities typical of its history.
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AgotadoModern necklace that reinterprets traditional Gujarati jewelry Brass and cotton pom poms Flattering and easy to wear Lightweight, weightless.
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Sale!AgotadoBag made entirely by hand by an indigenous community from Papua New Guinea. This community lives in the Southern Highlands, in the province of Mendi, in the village of Pangia. Their customs are deeply rooted in the land; their life is that of gatherers/hunters. They wear practically no clothes. Their worldview is very similar to that of Australian aborigines. They share much of their mysticism and mythological legends and their attachment to nature. These bags are made entirely by hand. Not only the weaving of the bag but also the spinning is completely artisanal and primitive, without the use of a spinning wheel or loom. The knots and finishes that prove their authenticity can be appreciated. In the case of this bag, it has this shape because its primitive use was to carry babies on the back while working, leaving the hands free. The strap is attached to the forehead and falls down the back. It can now be used as a normal crossbody bag. This bag, in addition to the characteristic hand-spun fabric, includes shed fur from wild possums that they collect in their burrows, incorporated into the weaving, which makes it even more special. It is resistant yet lightweight. A true beauty of the genuine and handmade. The colors and geometric shapes are unique to this indigenous community. Zipper closure as the only concession to modernity.
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Sale!AgotadoPoncho made from an antique Rabari shawl. The Rabari are a nomadic people living between Gujarat and Rajasthan in India. They are known for being an ethnic group deeply attached to their ancestral traditions, their distinctive way of dressing, and the characteristic tattoos that women wear on their faces, necks, and décolletage. Their nomadic way of life follows the same routes and patterns from ancient times, and they are highly respected for their rich textile craftsmanship and very personal and recognizable jewelry. Rabari shawls are essentially wedding shawls. They feature the same patterns that the women tattoo on their faces, necks, and décolletage. These are usually geometric or nature-inspired shapes constructed from dots. These tattoos and/or decorations hold immense symbolism. They reflect aspects of their cultural identity, social status, and spiritual beliefs. The connection between the tattoos and the patterns on their shawls reflects the deep union between their body and textile art. Additionally, these shawls feature intricate embroidery and handmade decorations that serve as protective amulets, connect with their beliefs, their life in nature, and seek to attract good, evoking fertility and abundance. They are made of rustic pure boiled wool, entirely by hand, of course, and are one size fits all. As it is a poncho, there is no issue with sizing.
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AgotadoTraditional coat from the Rajasthan area and northern India. Unique vintage piece. Nice interior print. Handcrafted buttons Handmade with running stitch, overlapping different fabrics to give it thickness Aubergine tone Size S
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AgotadoChoker necklace made of small brass spheres. Weightless piece. Lightweight.
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AgotadoShort square jacket from Suzani. Suzani is a traditional embroidery originating from Central Asia. Especially from Uzbekistan, Tajikistan, and Kazakhstan. Its name comes from the Persian "suzan" which means "needle" Due to the Silk Road, India made this intricate embroidery its own and adopted it as typical of areas like Rajasthan and Gujarat. Suzani is an embroidery, in this case on cotton fabric, with floral, geometric, and vine motifs symbolizing prosperity and fertility. The designs, handmade with techniques passed down from generation to generation, always have vibrant colors. Unique antique piece. One size fits all, corresponding to S/M
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The Dupattas are the scarves that the women of Rajasthan wear with so much harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of cotton. Hand-dyed with natural dyes and Tie-dye technique. The result is these vibrant dupattas with as much strength as the women who wear them.
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The Dupattas are the scarves that the women of Rajasthan wear with so much harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of cotton. Hand-dyed with natural dyes and Tie-dye technique. The result is these vibrant dupattas with as much strength as the women who wear them.
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The Dupattas are the scarves that the women of Rajasthan wear with so much harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of cotton. Hand-dyed with natural dyes and Tie-dye technique. The result is these vibrant dupattas with as much strength as the women who wear them.
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AgotadoThe Dupattas are the scarves that the women of Rajasthan wear with so much harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of cotton. Hand-dyed with natural dyes and Tie-dye technique. The result is these vibrant dupattas with as much strength as the women who wear them.
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AgotadoThe Dupattas are the scarves that the women of Rajasthan wear with so much harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of cotton. Hand-dyed with natural dyes and Tie-dye technique. The result is these vibrant dupattas with as much strength as the women who wear them.
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Dupattas are the scarves that the women of Rajasthan wear with such harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of silk-like fabric and hand-dyed using the reserve technique, which is why although they may look similar, they are all different. Each point is made manually by knotting the fabric and applying dye or bleaching to it in its case. They are finished with silent bells or natural shells. The result is these vibrant dupattas with as much strength as the women who wear them
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Dupattas are the scarves that the women of Rajasthan wear with such harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of silk-like fabric and hand-dyed using the reserve technique, which is why although they may look similar, they are all different. Each point is made manually by knotting the fabric and applying dye or bleaching to it in its case. They are finished with silent bells or natural shells. The result is these vibrant dupattas with as much strength as the women who wear them
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AgotadoDupattas are the scarves that the women of Rajasthan wear with such harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of silk-like fabric and hand-dyed using the reserve technique, which is why although they may look similar, they are all different. Each point is made manually by knotting the fabric and applying dye or bleaching to it in its case. They are finished with silent bells or natural shells. The result is these vibrant dupattas with as much strength as the women who wear them
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Dupattas are the scarves that the women of Rajasthan wear with such harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of silk-like fabric and hand-dyed using the reserve technique, which is why although they may look similar, they are all different. Each point is made manually by knotting the fabric and applying dye or bleaching to it in its case. They are finished with silent bells or natural shells. The result is these vibrant dupattas with as much strength as the women who wear them
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AgotadoDupattas are the scarves that the women of Rajasthan wear with such harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of silk-like fabric and hand-dyed using the reserve technique, which is why although they may look similar, they are all different. Each point is made manually by knotting the fabric and applying dye or bleaching to it in its case. They are finished with silent bells or natural shells. The result is these vibrant dupattas with as much strength as the women who wear them
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AgotadoDupattas are the scarves that the women of Rajasthan wear with such harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of silk-like fabric and hand-dyed using the reserve technique, which is why although they may look similar, they are all different. Each point is made manually by knotting the fabric and applying dye or bleaching to it in its case. They are finished with silent bells or natural shells. The result is these vibrant dupattas with as much strength as the women who wear them
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Dupattas are the scarves that the women of Rajasthan wear with such harmony and beauty. They are large scarves that they use for everything, with which they cover themselves, with which they dry sweat, with which they sometimes tie their children. They are heritage, tradition, pride and culture. These are made of silk-like fabric and hand-dyed using the reserve technique, which is why although they may look similar, they are all different. Each point is made manually by knotting the fabric and applying dye or bleaching to it in its case. They are finished with silent bells or natural shells. The result is these vibrant dupattas with as much strength as the women who wear them
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AgotadoTraditional dupatta hand-dyed using the bandhani technique, an ancestral process from Western India in which the fabric is manually knotted before being dyed, creating characteristic dot patterns. Made from ultra-light, almost transparent cotton. It is a versatile piece that can be worn in many different ways due to its size. Vibrant and bohemian aesthetic. The pieces have irregularities inherent to the artisanal process.
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Vintage tunic from India Rustic silk spun fabric with very Indian embroidery in deep red. The embroidery is all over the tunic, some with small beads forming a very beautiful, unique and interesting mosaic. Unique vintage piece that may have some minor wear consistent with its nature.
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AgotadoRomantic vintage kimono from India. The fabric is a delicate and romantic floral cotton. What gives importance to the piece is the golden border with beadwork that is hand-sewn. It is not a simple trim bought from a haberdashery and sewn on, it is an intervention of combined pieces sewn one by one, which gives it a very special beauty and character. It is tremendously flattering. Unique vintage piece that is in very good condition, but it may always have some small imperfection due to its nature.
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Sale!AgotadoBeaded necklace with metallic finish from traditional markets in northern India. Screw clasp. Iridescent metallic color with northern lights effect.
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Sale!Beaded necklace with metallic finish from traditional markets in northern India. Screw clasp. Iridescent metallic color with an aurora borealis effect.
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Sale!AgotadoBeaded necklace with metallic finish from traditional markets in northern India. Screw clasp. Gold metallic color. They look very nice together.
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AgotadoLong dress from India in antique rose, coral, and garnet. The piece combines an overlay, creating a layered dress effect. Great drape. Extra long. Small shiny applications. Extremely flattering. Unique vintage piece in m
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The rudraksha is especially linked to Shiva. Its very name from Sanskrit "Rudra" is a form of Shiva's name and "aksha" meaning tear identifies it as "Shiva's tears" Rudraksha malas are normally used for japa, the repetition of mantras, in Shaivite traditions. That is why there are 108 rudraksha beads. This particular mala is strung on saffron thread, also very characteristic of devotion to Shiva. This mala was purchased from devotional stalls in Haridwar, a sacred city in India, during Shiva celebrations, which gives it special value. The beads are irregular, typical of true rudraksha. Total length of the 108-bead mala is 72 cm
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The rudraksha is especially linked to Shiva. Its very name from Sanskrit "Rudra" is a form of Shiva's name and "aska" meaning tear identifies it as "tears of Shiva" Rudraksha malas are normally used for japa, the repetition of mantras, in Shaivite traditions. That is why they have 108 rudraksha beads. This particular mala is strung on red thread, also very characteristic of devotion to Shiva. This mala was purchased at the devotional stalls in Haridwar, a sacred city in India, during Shiva celebrations, which gives it special value. The beads are irregular, typical of true rudraksha. Total length of the 108-bead mala is 72 cm
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Devotional mala made with large 5-faced (panchmukhi) rudraksha seeds acquired in Haridwar from a holy woman on the banks of the Ganges. The Rudraksha, or tear of Shiva, holds an important place in Hindu devotion. It is made up of 108 beads, perfect for Japa prayer or mantra repetition. This mala has large, round, deeply grooved, and irregular seeds. Each seed presents its 5 natural mukhi. Total length of the devotional necklace 84 cm
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AgotadoBeautiful antique ring handcrafted in solid sterling silver. The motif of this ring is a scarab carved from genuine Lapis Lazuli. This stone is characterized by its intense, almost matte ultramarine blue with some golden flecks, which is natural pyrite. The presence of pyrite ensures the authenticity of the lapis lazuli. This stone was sacred in Ancient Egypt, associated with the night sky, protection, and divine wisdom. Lapis lazuli with golden pyrite flecks was one of the most prized gemstones by the pharaohs, used in amulets and funerary masks. Unique amulet with extraordinary strength Open at the back for size adjustment
